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The head of costuming for the English National Opera shares a few tricks of her trade. By Susanne Fowler LONDON — Many elements need to come together to create an opera that will absorb the attention ...
Performances in N.Y.C. Advertisement Supported by For her English National Opera debut, the company’s new artistic leader, Annilese Miskimmon, has chosen a work she hopes can bring in a new audience.
No matter how frosty the West’s relations with Russia, is there really any reason to roll “Chess” out of cold storage? For all the bangers of its retro score, Benny Andersson and Björn Ulvaeus’ ...
From the off, as director Netia Jones (in her ENO debut) tells us, Glass and Cocteau have drawn us into a hall of endlessly reflecting mirrors, a game of shadows and doubles in which each story and ...
The English National Opera (ENO) is rolling out its singing, breathing and wellbeing program for recovering coronavirus patients around the country following a successful trial. ENO Breathe is a joint ...
No fewer than eight operas (and an almost equal number of plays) have staged her story, but have any really got to grips with the psychology of tragedy’s wickedest witch? I’m afraid that Georg Benda’s ...
Imagine travelling to Paris and finding that the Louvre had moved to Marseille, or that the Bastille Opera had relocated to Lyon. “Tourists would be furious,” said David Lister in The Independent. Yet ...
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