There's a whole world under the surface and only Ron has any idea about it. And sometimes the two worlds collide, and sometimes they don't. Ron holds them at arm's length from each other. Watch every ...
In 1943, two 25 year olds — Jerome Robbins and Leonard Bernstein — were about to rock the ballet world. The dance they collaborated on was Fancy Free — about three sailors in a bar, trying to meet ...
There has not been a more entertaining evening in the Opera House for years than last week's Jerome Robbins show danced by the San Francisco Ballet. A mixed bill with a serious piece, a scandalous, ...
The programs were all over the map, but the dancers held the season together. Six were promoted, including India Bradley, the ...
Dancers gradually donned or discarded the ruffles, flounces, doublets and knee breeches that allude to a bygone era in which ...
In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.
San Francisco Ballet's final program of the season, “Program 8,” honors groundbreaking choreographers and composers of the 20th century with a triple bill of works by George Balanchine and Jerome ...
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Young Artists Rise Above Adversity in Westside Ballet's Spring Showcase
This weekend's "Masters of Movement 2025" performances at Westside Ballet of Santa Monica tell a story that extends far beyond the stage-one of young artists who have transformed personal challenges ...
All eyes are on the stage for State Street Ballet’s compelling 2025-26 season lineup of performances featuring celebrated choreographers, filmmakers, and composers. Through a tasteful mix of classics ...
Curator Julia Foulkes culled the show from the New York Public Library’s Jerome Robbins Dance Division, which holds the ...
The New York City Ballet danced three vastly different works Friday night as if each were its native language, and with a deeply satisfying variety of tone, content and form, the program felt at once ...
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West Side Story gets the Los Angeles Opera treatment
In 1949, choreographer Jerome Robbins phoned Leonard Bernstein with an idea for updating “Romeo and Juliet” into a contemporary Broadway musical. Robbins didn’t know what it would be, but he knew what ...
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