In Yield to the Night, Diana Dors plays a woman facing the death sentence for killing her boyfriend’s mistress. It proved a formidable acting flex from a star who’d been underrated as a ‘bombshell’.

Broadcast on BBC2 in 1984, Threads dramatised the fallout from a nuclear attack on Sheffield with harrowing realism. We look back on a TV movie that scarred a generation of viewers for life.

Director Sarah Friedland explores the human mind in all its frailness and glory with her exquisite drama about a woman with dementia adjusting to a new life at an assisted living facility.

The second instalment of Kevin Costner’s four-part self-funded western has arrived with more beautiful vistas and traditional cowboy movie pleasures, but its convoluted plot sags when it should soar.

Paul Duane, the director of modern Irish folk horror All You Need Is Death, speaks to Robert Wynne-Simmons, whose haunting 1982 film The Outcasts has re-emerged after decades of obscurity.

A stinging satire on the British film industry, a Netflix thriller that delivers the goods, and a glowing tale of ageing romance. What are you watching this weekend?

Happyend unfolds in a dystopian near-future where a title card informs us that systems are crumbling. It’s here, beneath a subtly Blade Runner-ish skyline and amidst intermittent earthquakes, that a ...

Director Clio Barnard takes us behind the scenes of the second series of acclaimed Nottingham-based crime drama Sherwood.

As London’s Open House Festival offers a glimpse inside the capital’s most impressive buildings, we take a look at the modern house on film.

Lee’s film adapts the graphic novel by her ex-partner Chester Brown, creating a candid his-and-hers narrative of their open relationship and its break down.

Despite its impressive cast, this portrait of surrealist artist and wartime photographer Lee Miller can at times feel a little lifeless.

A 70-year-old widow in Tehran shakes up her predictable existence when she pursues a relationship with a lonely taxi driver in Maryam Moghaddam and Behtash Sanaeeha‘s defiant tale of late-in-life ...