Alexandria Walton, Lea Rose Sebastianis and Ivy Wolk in 'Castration Movie Anthology ii. The Best of Both Worlds' (Louise Weard) No matter what the conservative politicians or any of the other bigots ...

'Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle’ (Crunchy Roll) What do we do when we start making a movie? We yell “action!” because that’s what this medium is all about. On a basic, ...

As 2025 comes to a close, it’s a great time to look back at all of the great movies that were released throughout the year. Netflix may not have had as strong a year as Warner Bros. or Disney, but the ...

Welcome to a very special holiday edition of Trust Me, I Watch Everything. Christmas is the biggest day of the year for moviegoing, and there's a wealth of new options in theaters as well as recent ...

The new "SpongeBob Movie" arrives in theaters Friday, Dec. 19. There's a fair amount of bathroom humor and some scary images of a zombie sailing crew and Underworld monsters. Parents will appreciate ...

You wouldn’t call 2025 an “off” year for horror — more like an odd one. Both A24 and Neon continued to back several scary-movie auteurs (the prolific Osgood Perkins, the brothers Danny and Michael ...

Movies are the great escape. “Optimistic endings, passionate romances,” sings the incarcerated dreamer of “Kiss of the Spider Woman,” who looks to old Hollywood movies as an oasis of beauty and faith.

From Timothée Chalamet's latest high-wire act to Amy Madigan's indelible horror villain to dynamic duos and standouts from around the globe, these were THR critics' favorite big-screen turns of the ...

The identity of the Nephilim is one of the oldest debates in biblical studies. Some early Jewish texts like 1 Enoch describe them as monstrous offspring of heavenly beings and human women, towering ...

Our film critics rank their 10 favorites of the year. By Manohla Dargis and Alissa Wilkinson Manohla Dargis It was another great year for the movies and another horrible, hair-on-fire year for the ...

2025 was a year that posed a lot of questions for movie lovers: Did the success of Sinners prove that there was still a mass audience hungry for original (read: non-IP) stories on a blockbuster level?