More than eight decades later, the cartoons have reemerged as the most striking images in Comics and Bayonets, a documentary film directed jointly by American and Chinese filmmakers, bringing renewed ...

This is read by an automated voice. Please report any issues or inconsistencies here. Documentaries are a dime a dozen in the streaming era because they’re cheaper to produce, so while they satiate ...

"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Of course, we've enjoyed quite a few more docs this year, running the gamut from NFL cheerleading to a ...

The films ‘Seeds’ and ‘Apocalypse in the Tropics’ also won major prizes at the association’s annual ceremony on Saturday. By Katie Kilkenny Labor & Media Reporter The Tale of Silyan clinched the top ...

The 2008 film on the Iraq war, deemed too pro-military at the time, has now been labeled antiwar. Can both be true? By Jasper Craven It’s 2004 in Najaf, Iraq, on a night so dark that all you can see ...

"Sean Combs: The Reckoning," a four-part documentary about the Bad Boy Records founder's rise from music mogul to career fall, is making its debut this week.Produced by longtime rival Curtis "50 Cent" ...

With “The Beatles Anthology” now on Disney+, we dig into “The Compleat Beatles,” another documentary on the band that is difficult to see legally but had an impact on a generation. By Jason Bailey ...

The Iroquois confederation wasn’t even a democracy. Leaders were selected by women elders, whose status was hereditary. Few documentary films have the natural authority of a Ken Burns production. The ...

EXCLUSIVE: The producer behind a high-profile ITV documentary featuring Israel Defense Forces (IDF) soldiers speaking about their experiences of the war in Gaza has put its film on YouTube. Zandland ...

New Jersey’s landscape has taken center stage in Ken Burns’ "The American Revolution." The ongoing PBS series portrays the Garden State as the defining battleground of the conflict’s lowest points and ...

Welcome back to another Oscar season! I’m Matt Brennan, editor in chief of The Envelope, and each Wednesday from now until Jan. 7, I’ll be sending you a (digital) editor’s letter with some highlights ...