'70s Week: Hunter S. Thompson saw the 1960s as "the crest of a high and beautiful wave" — filmmakers like Michelangelo Antonioni, Monte Hellman, and Jean Eustache watched it crash ashore.

Horror movie told from dog's point of view received raves out of the 2025 SXSW festival, including from IndieWire.

Lilo & Stitch' and 'Marvel Zombies' on Disney+ and the Hulu premieres of 'FX’s The Lowdown,' 'Only Murders in the Building,' ...

A schedule of all the lists, essays, interviews, and more that we have planned for our celebration of one of Hollywood's most ...

Winner of Locarno's Golden Leopard, the writer/director’s tender diptych cleverly adapts two stories by manga icon Yoshiharu ...

Like many I.P. extensions, the 'Sex and the City' revival 'And Just Like That' saw harsh criticism while earning decent ...

The Loaded Political Legacy of ‘Elite Squad’: How a Brazilian Blockbuster Became a Symbol of the Right-Wing Attitudes It ...

Appearing on an FYC panel at the inaugural Televerse festival, Rogen explained why some roles on his hit Apple show could ...

“Night Always” excels at making extremely small-scale action sequences feel as impactful and as volatile as much more baroque ...

Outstanding Supporting Actor in a Drama Series Emmy nominee Sam Rockwell on how his 'The White Lotus' role compares to ...

Brennan Lee Mulligan tells IndieWire about how the Dropout actual play series retains its spirit as it expands its scope.

The Georgian filmmaker’s follow-up to 'What Do We See When We Look at the Sky?' ultimately finds less magic in the mundane.